TYPOLOGY AND STYLE

General view of the altarpiece in Covarrubias
© B. Frasen  CC-BY

Carved Flemish altarpieces have a wide variety of shapes and designs and may be made up of one or multiple scenes. Over time, their structure, complete with painted and/or carved protective wings, became very complex indeed. But, given the fact that both even the simplest altarpieces and the most elaborately-manufactured ones co-existed at the same period, the task of establishing a clearly-defined evolutionary sequence is understandably a very complicated one. 

Altarpieces could be horizontally rectangular in shape, but their usual format was what is known as an inverted "T", whose central body or section is higher than its two lateral ones (Covarrubias). Compartments on an altarpiece can be on the same level or distributed over several different levels (Tordesillas) and are usually framed with either straight or curved borders. This latter is most frequently found in altarpieces manufactured in Antwerp. 

Their basic design could be additionally embellished by the use of decorative skirting, something that was characteristic of altarpieces manufactured in Brussels. Small scenarios could also be used to decorate the predella which, though normally limited to the central section of the altarpiece, may also observed in the two lateral sections together with complementary reliefs that were usually inserted in richly decorated architectural canopies or distributed along the sides of the main scenes represented on the altarpiece. 

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